dr hab. Sławomir Kozioł, prof. UR

Publikacje

• "Jimmy didn't envy him. (He envied him.)" : Social and personal consequences of liberal eugenics in Margaret Atwood's MaddAddam trilogy. - Tematy i Konteksty, 2024, T. 19, nr 14, s. 468-485
• Between the Mythical and the Ironic : An Analysis of the Imaginative Structure of Margaret Atwood's MaddAddam Trilogy. - English Studies, 2023, Vol. 104, iss. 2, s. 283-304
• Futures of the Human Subject : Technical Mediation, Foucault and Science Fiction. New York ; London, Routledge: 2023, 252 s.
• "You mustn't say anything against the Machine" : Power and Resistance in E. M. Forster's "The Machine Stops" W: The World of E. M. Forster - E. M. Forster and the World / Edited byKrzysztof Fordoński and Anna Kwiatkowska. Newcastle, Cambridge Scholars Publishing: 2021, S. 51-69
• Too Much of a Good Thing : Displays in Contacts and "Engagement Disloyalty" in Rainbows End by Vernor Vinge. - Extrapolation, 2019, vol. 60, iss. 3, p. 273-297
• Crake's aesthetic: Genetically modified humans as a form of art in Margaret Atwood's Oryx and Crake. - Critique-Studies in Contemporary Fiction, 2018, vol. 59, no. 4, s. 492-508
• From Sausages to Hoplites of Ham and Beyond: : The Status of Genetically Modified Pigs in Margaret Atwood's MaddAddam Trilogy. - Papers on Language and Literature, 2018, vol. 54, no. 3, p. 261-295
• "Those Clunky Things You Have to Carry Around" : Textual Materiality in Vernor Vinge's Rainbows End. - Science Fiction Studies, 2015, Vol. 42, no. 3, p. 458-482
• Between a butterfly and a cathedral : the question of art in brideshead revisted by Evelyn Waugh. - Miscelánea: A Journal of English and American Studies, 2015, vol. 52, p. 69-87
• The logic of visualization in Virginia Woolf's Mrs Dalloway. - Bulletin of the Transilvania University of Braşov. Series IV: Philology and Cultural Studies, 2015, Vol. 8, no. 2, p. 79-94
• [współaut.] Kleparski G, Puchała-Ladzińska K, Dick-Bursztyn M [et al.] Zeszyty Naukowe Uniwersytetu Rzeszowskiego. Studia Anglica Resoviensia 12 / editors Grzegorz A. Kleparski, Karolina Puchała-Ladzińska, Marta Dick-Bursztyn, Patrycja Austin, Sławomir Kozioł. Rzeszów, Uniwersytet Rzeszowski: 2015, 194 s.
• Polarization of social space : E. M. Forster, Virginia Woolf, Evelyn Waugh and Angus Wilson. Rzeszów, Uniwersytet Rzeszowski: 2015, 210 s.
• "A good book is the precious life-blood of a master spirit" : figurative representations of books in the modern era W: Język - zwierciadło świata : materiały pokonferencyjne. T. 2 / pod redakcją Małgorzaty Góreckiej-Smolińskiej, Jana Hajduka, Grzegorza A. Kleparskiego. Sandomierz, Towarzystwo Naukowe Sandomierskie: 2015, S. 93-98
• Zjawisko podwójnego kodowania w sztuce i literaturze współczesnej. - Podkarpackie Forum Filologiczne. Seria: Literatura i Kultura, 2014, Vol. 2014, s. 121-133
• "Life is more difficult for the serious artist" - Question of Art in William Gibson's Pattern Recognition W: The art of literature, art in literature / ed. by Magdalena Bleinert, Izabela Curyłło-Klag, Bożena Kucała. Cracow, Uniwersytet Jagielloński w Krakowie: 2014, S. 121-134
• Artistic experimentation in the era of digital technology W: The subcarpathian studies in English language, literature and culture. Vol. 2, Literature and culture / ed. by Małgorzata Martynuska, Barbara Niedziela and Elżbieta Rokosz-Piejko. Rzeszów, Uniwersytet Rzeszowski: 2014, S. 211-220
• [współaut.] Kleparski G, Uberman A, Bołtuć M [et al.] Zeszyty Naukowe Uniwersytetu Rzeszowskiego. Studia Anglica Resoviensia 10 / eds. Grzegorz A. Kleparski, Agnieszka Uberman, Marta Pikor-Niedziałek, Agnieszka Kallaus, Sławomir Kozioł. Rzeszów, Uniwersytet Rzeszowski: 2013, 157 s.
• A vision of postmodern world yet to come : representations of technology in Vernon Vinge's Rainbows End. - Studia Anglica Resoviensia, 2012, vol. 9, s. 71-91
• [współaut.] Kallaus A From page to screen : adaptations of British and American literature / ed. by Agnieszka Kallaus and Sławomir Kozioł. Rzeszów, Uniwersytet Rzeszowski: 2012, 167 s.
• The question of the spiritual dimension of the world in Evelyn Waugh's Brideshead Revisited and its Granada television adaptation W: From page to screen : adaptations of British and American literature / ed. by Agnieszka Kallaus and Sławomir Kozioł. Rzeszów, Uniwersytet Rzeszowski: 2012, S. 78-97
• A new town in Angus Wilson's Late Call : in search of parallels between literary representation and theoretical analysis of social space. - Studia Anglica Resoviensia, 2011, vol. 8, s. 71-91
• Wpływ przestrzeni społecznej na postacie w Pani Dalloway Virginii Woolf. - Podkarpackie Forum Filologiczne. Seria: Literatura i Kultura, 2011, s. 231-241
• [współaut.] Weretiuk O, Osuchowska D Zeszyty Naukowe Uniwersytetu Rzeszowskiego. Studia Anglica Resoviensia 8 / ed. Oksana Weretiuk, Dorota Osuchowska, Sławomir Kozioł. Rzeszów, Uniwersytet Rzeszowski: 2011, 424 s.
• Aspects of social space in Ian McEwan's The Cement Garden. - Studia Anglica Resoviensia, 2010, vol. 7, s. 30-42
• Homecoming in Angus Wilson's Late Call. - Studia Anglica Resoviensia, 2009, z. 6, s. 36-49
• Pop culture - the culture of surface W: Galicia English teachings : old pitfalls, changing attitudes and new vistas / ed. by Grzegorz A. Kleparski, Elżbieta Rokosz-Piejko, Agnieszka Uberman. Rzeszów, Uniwersytet Rzeszowski: 2009, S. 211-218
• From hommage A Chrysler Corp. to Campbell's Soup Can - The Development of Pop Art W: Language, literature, culture and beyond : festschrift for Grzegorz A. Kleparski on his 50^th / ed. by Robert Kiełtyka, Dorota Osuchowska, Elżbieta Rokosz-Piejko. Rzeszów, Uniwersytet Rzeszowski: 2008, S. 253-260
• Product design in the era of pop culture W: Galicia studies in language, literature and culture : with special reference to English and diachronic semantics / red. Grzegorz A. Kleparski, Agnieszka Uberman. Chełm, "Tawa": 2008, S. 125-132
• Language, Literature, Culture and Beyond : The First Rzeszów Anglistentag : (Rzeszów, 22-23 października 2007 r.). - Gazeta Uniwersytecka, 2007, nr 5 (48), s. 8
• [współaut.] Kleparski G Dandies with hammers and ladies in plastic : the beginnings of pop fashion in Great Britian. - Studia Anglica Resoviensia, (2005), Z. 3, s. 171-175
• Mrs Wilcox's holy of holies, Mr Wilcox's property - two kinds of social space in E.M. Forster's "Howards End". - Studia Anglica Resoviensia, (2005), Z. 3, s. 135-147
• Wyndham Lewis and Aldons Huxley - the Platonist and the Aristotelian. - Studia Anglica Resoviensia, (2002), Z. 1, s. 120-129